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panasonic eva1 dynamic range

panasonic eva1 dynamic range

The EVA1 can record in a V-Log mode for maximum adjustability in post, or to a Scene File that precisely sets a wide variety of parameters to capture a specific look in camera for a fast turnaround and simple post. Panasonic claims the EVA1 has 14 stops of dynamic range. Behind the lens mount, an integrated ND filter wheel in 2, 4, and 6 stops precisely controls exposure, and you can also swing the IR Cut out of the path to the sensor by pushing a button. 14 STOP DYNAMIC RANGE With an active resolution of 5720 x 3016, EVA1 delivers more than 17.25 million down-sampled to 4K, UHD, 2K, or even 720p. From what I understand V Log and V Log Lite look pretty similar in terms of color, but the EVA1 has two stops more highlight dynamic range in the highlights. Dual native ISO is an image processing characteristic from Panasonic's VariCam cameras that employs two separate sets of analogue circuits, one for 800 ISO and one for 2,500. Like the VariCam lineup of cinema cameras, the EVA1 contains V-Log/V-Gamut capture to deliver high dynamic range and broad colors. There will also be full iris control, one-push auto focus and lens data. To check the noise characteristics in shadow areas we put a black frame in the bottom right corner. There will also be numerous mounting points and Panasonic is currently working with top accessory makers to allow further customization with the EVA1. Highlight Roll-off. The EVA1 looks very good, too, but once you’ve tried Canon’s Dual Pixel Autofocus, nothing else will do. Editing & Post-Production. During this shootout, Zacuto put the Panasonic EVA1 and Canon C200 through a series of tests in order to try and declare a “winner”. EVA1 also displays focus squares, an array of green squares that grow in size when their local area appears to be sharp, to help shooters to achieve critical focus. The EVA1 captures the full V-Log/V-Gamut range of colours to effectively record high dynamic range and broad colours. The controls on the adjustable handgrip include Menu, REC start/stop, Iris and two user buttons. The 5.7K sensor is used to super-sample internal recordings, resulting in higher resolving images with less noise and artifacting when compared … In addition, these filters are electronically driven and wireless remote control* is also possible. A later flagship 4:2:2 10-bit Intra codec will be made available in a future release also (400M for 4K, 100M/200M for 2K/HD). The ability to capture accurate colours and rich skin tones is a must for any filmmaker. ... Fast forward to February 2019, and I'm on my way to … By starting at a higher native resolution, the 5.7K sensor yields a higher resolving image when down-sampled to 4K, UHD, 2K or 720p. This sensor delivers cinematic images with ease. So I'd look to use the EVA1 for the wides where you might have more contrast and then the GH5S for the close ups. V-Log/V-Gamut with 14+ stops of dynamic range, 3:2 6K/24p full-frame capture, 10-bit Cinema 4K/4K 60p/50p recording, and unlimited recording time. Who is the Panasonic EVA1 aimed at? ... Filmmaker Barry Green, author of “A Guide to the Panasonic AU-EVA1 Camera”, gives an overview of the EVA1. To control the EVA1 when positioned on a camera crane or in a remote location, a remote control app will be available for use on iOS and Android tablets. AU-EVA1 Firmware Upgrade Version 2.0. Like the VariCam lineup of cinema cameras, the EVA1 contains V-Log/V-Gamut capture to deliver broad colours with a capability of creating 14 stops of dynamic range. Blackmagic URSA Mini Pro - 4.6k Prores 444. After watching this battle carefully, here are my thoughts. The AU-EVA1 can capture a wide range of exposure, dynamic range and color gamut. The first part of the scene was filmed in the half-light, almost in the dark. The same shot with a basic Rec.709 output grade. 2007 - 2020 ... With its wide dynamic range, the highlights are clearly preserved even after increasing the tone curve with color grading, and there is no color skipping in the … Consequently, a cinematographer can switch from a standard sensitivity to a high sensitivity while using less artificial light on set, saving time and funds, with almost no increase in artefacts. Dynamic Range. So the main dynamic range was moved to the bottom of the characteristic curve. The HDMI and SDI video outputs are both 4K-capable and each can be adjusted separately, allowing HD to be fed to a viewfinder or other third party monitor while 4K is sent to an outboard recorder or monitor. To capture more latitude, EVA1's Log format, V-Log, can capture up to 14 stops of dynamic range. THE EVA1 5.7K SENSOR. LCD monitor brings touch-panel convenience and allows flexible mounting. Select the [SCENE FILE SETTINGS] menu → [KNEE] → [KNEE MODE] → [D RANGE]/[PRESS]. The colors, the skin tones, and the dynamic range are all pleasing and what I want straight out of a camera. Panasonic’s compact cinema camera EVA1 was used extensively during the shooting of TV Asahi’s season 17 of “Aibou,” which was broadcast from October 17. V-Log / V-Gamut. An innovative color separation filter is optimized to offer natural color and accurate color linearity. A 400% crop of the shot. In a future firmware upgrade, EVA1 will use all Intra compression for in-camera recording, and 5.7K RAW output to third party recorders. The value of dynamic range that can be represented does not change even when the value of [KNEE POINT] changes. The Panasonic AU-EVA1 5.7K handheld cinema camera is distinguished by a pixel count of 5720 H x 3016 V (17.25 million), Dual Native ISO ratings of 800 and 2,500, and 14-stops of dynamic range. The camera responds very well to tough and challenging lighting conditions. The result of the “Camera Shootout 2018 – Canon C200 vs Panasonic EVA1” hosted by Zacuto is now available to watch on YouTube. Shooting Angel of Death on the San Diego Comic Con, Share Your Vision – EVA1 Video Contest [Playlist], Short film "Near to Superstition" shot on, Short film "Radio 88" - Behind the scenes. The camera can record in several formats and compression rates, and supports up to 10-bit 4:2:2 even in 4K. The tests were performed in order to push the Canon C200 and the Panasonic EVA1 … Dual native 800/2500 ISO offers impressive sensitivity with low noise, while high-frame-rate recordings at 4K/60 fps and 2K/240 fps beckon with new creative possibilities, as does the IR (infrared ray) cut-filter ON/OFF mechanism for surreal IR footage in Cinematography mode. Providing you get the basics right in-camera, straight out of the box you have a fantastic looking image that retains all of the detail and range in a very good log shooting format, which, if you're shooting people, produces outstanding skin tones. While this isn't as scientific as a dynamic range chart it still gives a rough idea of the dynamic range of the cameras. Click to find out more. Codec options for the AU-EVA1 is now more clear, with 4:2:2 10-bit and 4:2:0 8-bit LongGOP codecs available from FullHD to 4K, ranging from 50 to 150 Mbps (VBR). For in-camera recording, you can capture in cinema 4K (4096 x 2160), UHD (3840 x 2160), 2K (2048 x 1080), full HD (1920 x 1080), and HD (1280 x 720). We had almost no light, and the entire range was stretched out in the shade. The Super 35 mm sensor achieves a wide color gamut known as V-Gamut, EVA1’s optimal color space that’s wider than BT.2020. The 3.5in LCD touch screen holds the menu selections, zoom positioning and playback controls, and has an adjustable backlight control including a Power LCD mode for bright locations. Panasonic's final specifications for the upcoming AU-EVA1 5.7K handheld cinema camera include a pixel count of 17.25 million, dual native ISO ratings of 800 and 2,500, and 14 stops of dynamic range. An ungraded ProRes RAW shot from the EVA1 imported into FCP X and displayed using the Panasonic Vlog LUT. EVA1 has dual balanced XLR audio inputs with Dolby Audio encoding. The dynamic range of the VariCam is 14+ stops with V-Log and the dynamic range of the EVA1 is 14 stops. V-Log has log curve characteristics similar to negative film and V-Gamut delivers a color space even larger than film. EVA1 imports the renowned colorimetry of the VariCam lineup of cinema cameras. While the EVA ROP app allows control of primary settings on the camera, Panasonic has worked with RCP … It is a claimed 14 stops, still testing out to see where exactly it breaks down. It has forever changed the … V-Log has log curve characteristics that are somewhat reminiscent of negative film and V-Gamut delivers a colour space even larger than film gamut and BT-2020 gamut. It has the Panasonic colour science which made the VariCam range so popular and a good dynamic range. Availability of the AU-EVA1 5.7K cinema camera is expected before the end of 2017.  pro-av.panasonic.net, Copyright © Unique photographic effects and night-vision imagery are possible with this control over infrared. V-Log has log curve characteristics reminiscent of negative film, while V-Gamut delivers a color space even larger than film. For high frame rate video, the EVA1 records up to 59.94fps/50fps for 4K/UHD, up to 120fps/100fps for 2K/Full HD, or 240fps/200fps for a cropped area. It seems that dynamic range is always a spec that gets exaggerated. Electronic Image Stabilisation counterbalances camera shake and blurring for handheld shooting. Housing a high-resolution 5.7K image sensor capable of rendering smooth 4K images inside a compact body, Panasonic's AU-EVA1 Compact 5.7K Super 35mm Cinema Camera is a flexible camera system ready for documentary, cinema, and live event production. The camera can switch from a standard sensitivity to a high sensitivity with almost no increase in noise. The EVA1 delivers 14-stops of dynamic range, enabling fine gradation in exposure from bright to dark. Like the VariCam lineup of cinema cameras, the EVA1 contains V-Log/V-Gamut capture to deliver broad colours with a capability of creating 14 stops of dynamic range. The wide 14-stop dynamic range, V-Log gamma and wide-color-gamut V-Gamut colorimetry, which are inherited from the VariCam Series, ensure cinema-like pictures. Additionally, the increased color The LUMIX S1H is the new full-frame mirrorless camera that delivers cinema-quality video. ), EVA1 is easy to shoot and comes with EF lens-mount (check lens compatibility before purchase). AZ: “Yes, and the Panasonic EVA1 faced quite complex challenges in this project. Because of its compact form factor, it can also be mounted on a drone, gimbal rig or jib arm for smoother complex camera moves. RGB parade display of the original ungraded shot in a PQ2020 HDR project Dynamic range [D RANGE]: Determines the dynamic range that can be represented by the [KNEE SLOPE] value. ... Red Dragon - 6k R3D 8:1. Editing & Post-Production. By starting at a higher With a wide 14-stop dynamic range, V-Log gamma, and wide-color-gamut V-Gamut colorimetry inherited from the VariCam Series, images are infused with the cinematic VariCam Look. Panasonic also threw in their V-Log/V-Gamut capture to deliver a high dynamic range and great color rendition. Canon C300 mark II - 4k 422 320mbps. Hands on with the EVA1: 5.7K … It has the same dynamics as the Sony FS7, but the URSA Mini Pro 4.6K beats it with 15 … Product availability may vary by country/region. He or she can also shoot in almost any lighting environment, allowing more artistic choice and flexibility. It works for exactly the types of shoots I do. ... First off, the loupe is robustly built and a touch too big for the Panasonic EVA1, but absolutely … This means there’s a greater level of play when the images are put through post-production. It contains V-Log/V-Gamut capture to deliver high dynamic range and broad colors. *Optional AJ-WM50 Wireless Module required. The camera uses a native EF lens mount, supporting many different EF cinema prime and zoom lenses from numerous manufacturers. The dynamic range of the VariCam is 14+ stops with V-Log. Dual Native ISO gives cinematographers a greater variety of artistic choices and the ability to use less light on set. Adobe Speeds Up Export Times in New Creative Cloud Update. The Panasonic AU-EVA1 contains a newly designed 5.7K Super 35mm-sized (5720 x 3016, approx. It has more dynamic range than the GH5 and looks pretty close. 5.7K Super 35mm Sensor. The EVA1’s Dual Native ISOs are 800 and 2500, which allow cinematographers to shoot in almost any lighting environment. In this video we tackle the Panasonic EVA 1 and it's dynamic range. The EVA1 offers both V-Log and HLG modes with 14 stops of dynamic range to fully utilize all 10 bits, too. This wide dynamic range assures accurate image rendering, particularly from the critical shadow to highlight areas, providing transitions into the highlights that are remarkable. The increased colour information from the 14 stops of dynamic range, capturing a high level of exposure detail, can result in more accurate, life-like images. I don't remember if Panasonic claimed it to be anymore than that … The newly-designed EVA1 sensor is Super 35 sized (24.60mm x 12.97mm) with 5.7K resolution. In a future update, the EVA1 will be able to output 5.7K external RAW recording along with ALL Intra compression (400Mbps) for in-camera recording. It starts with just as much dynamic range as the Panasonic Log…but they add so much contrast to the Canon that the shadows crush and … V-Log has log curve characteristics suitable for HDR production, and V-Gamut records a colour space that will cover BT.2020. Panasonic EVA1 - 4k 422 400mbps. EVA1 contains a Super 35 (24.60 mm x 12.97 mm) sensor that captures 5.7K resolution. The EVA1 delivers 14 stops of Dynamic Range, enabling fine gradation in exposure from bright to dark image areas. Like the VariCam lineup of cinema cameras, the EVA1 contains V-Log/V-Gamut capture to deliver broad colours with a capability of creating 14 stops of dynamic range. The results of how the camera performed under challenging conditions in real life situations where a lot of dynamic range is required was pretty good. The EVA1's 14-stops of dynamic range produces a finer gradation in exposure from bright to dark. Because Intra doesn’t go through GOP processing, decoding, recalculation and frame assembly,  image quality is more consistent. The EVA1’s USB port on the EVA1 works with several inexpensive Ethernet adapters to communicate between the camera and outside devices. That’s four more stops than the GH5. With an active resolution of 5720 x 3016, the EVA1 delivers more than 17.25 million photosites, nearly double the 8.8 million for 4K … The AU-EVA1 is our Cinema Compact Camera with S35 5.7K Sensor, Dual Native ISO, 4K 4:2:2 10Bits & RAW and EF Mount. Panasonic's EVA1 Gets a Nice Touch Up with the New Firmware 2.0 Update. EVA1 is built with imaging tools to support professional video productions, including peaking, image zoom, waveform, zebras and Y-Get spotmeter. By controlling infrared in this way, custom photographic effects and night vision imagery are possible. The EVA1 delivers 14-stops of Dynamic Range, enabling fine gradation in exposure from bright to dark. The camera will be built with several different mounting points and Panasonic is currently working with accessory makers to allow users to customise the EVA1. 5.7K RESOLUTION Dynamic range measures the luminance range that a digital camera can capture. Director Mr. Masahiro Aida (UP SIDE Co., Ltd.) had the following to say about the EVA1. It utilizes a process that allows the sensor to be read in a fundamentally different way, extracting more information without degrading the image. Digital Media World. And then, when you’re not shooting narrative cinema, you can shoot 4K to SD cards in MP4 for fast turnaround for clients who don’t want large files or heavy grading. This wide dynamic range assures accurate image rendering, particularly from the critical shadow to highlight areas, providing transitions into the highlights that are remarkable. On first release, available bit rates will range from as low as 8Mbps up to 150Mbps, depending on frame rate, resolution and codec. Panasonic baited the public for the months prior by having the ... Another stand-out feature of the EVA1 is its 14 stops of dynamic range. The EVA1’s dual native ISOs are 800 and 2,500, which will allow cinematographers to shoot in almost any lighting environment. A simpler approach than long GOP, Intra is editable frame-by-frame, without decoding. EVA1 also supports Panasonic’s unique dual-native ISO sensitivity first introduced with the flagship VariCam line-up. The ability to capture accurate colors and rich skin tones is a must for any filmmaker. The Panasonic EVA1 was announced at Cinegear on Paramount’s backlot in Burbank, California. A circuit from each set is associated with each pixel, while the user switches between the two sets by selecting one of two modes, each capable of a clean, native ISO setting. V-Log delivers a very flat image while maintaining all of the color information within the image. CANON C200 VS PANASONIC EVA1. The ability to capture accurate colors and rich skin-tones is a must for any filmmaker. Contains V-Log/V-Gamut capture to deliver high dynamic range and the colorimetry of the VariCam line. The ND filter and IR Cut filter operate electronically so that wireless remote control can be set up from smartphones and tablets. V-Log has log curve characteristics that are somewhat reminiscent of negative film and V-Gamut delivers a colour space even larger than film gamut and BT-2020 gamut. Contributing to more accurate colours and skin tones. information results in a finer, more accurate finished image. 17.25 million pixels) sensor for capturing true cinematic images. Sony FS5 - UHD 420 … V-Log/V-Gamut capture are also on board to deliver high dynamic range. The result of the “Camera Shootout 2018 – Canon C200 vs Panasonic EVA1” hosted by Zacuto is now available to watch on YouTube. Panasonic color: Panasonic’s color palette is neutral and naturalistic, and it’s often compared to ARRI’s color. Detachable handle and rotary grip, meanwhile, add a new dimension to mobility, enabling convenient camera attachment to drones and gimbals. ... (RCP). photosites, nearly double the 8.8 million for 4K DCI (4096 x 2160). However, in its category, it’s status quo. Each setting has the same signal to noise ratio – that is, the noise present at 2,500 ISO is nearly identical to noise at 800 because the information comes directly from the sensor in both cases, not by first trying to raise the gain and erase the noise. The usable dynamic range of the GH5 is around 11 stops. With a body weight of just 1.2 kg (2.6 lb. native resolution, the 5.7K sensor yields a higher resolving image when By starting at a higher native resolution, the … ... 15 stops dynamic range. V-Log has log curve characteristics that are somewhat reminiscent of negative film and V-Gamut delivers a colour space even larger than film gamut and BT-2020 gamut. With a wide 14-stop dynamic range, V-Log gamma, and wide-color-gamut V-Gamut colorimetry inherited from the VariCam Series, images are infused with the cinematic VariCam Look. The EVA1 allows the infrared (IR) filter to be removed and replaced with a clear filter for extreme low-light conditions as a simple end-user configuration. EVA1 features Panasonic’s high-end 5.7 K Super 35 mm sensor to achieve 4K/10-bit 4:2:2 images from an extremely compact body. The EVA1 delivers more than 17.25 million photosites, nearly double the 8.8 million for 4K DCI (4096 x 2160). Conversion LUTs, such as the free VariCam LUT Library , translates the flat V-Log material to a more restricted, yet contrasty, dynamic range and shifts the color space to match the monitor, bringing both parameters to a technical standard for viewing such as Rec.709. Read More. Supporting independent filmmakers, the EVA1 records to widely available, low cost SD cards. The EVA1 sensor has a Super-35 sized sensor, measuring 24.60mm x 12.97mm with 5.7K resolution supplying more than 17.25 million photosites, nearly double the 8.8 million photosites of 4K digital cinema resolution video. EVA1 features Panasonic’s high-end 5.7 K Super 35 mm sensor to achieve 4K/10-bit 4:2:2 images from an extremely compact body. Or just be cognizant of the two stops less dynamic range. A one shot recording setting captures single frame video for stop motion capture. During this shootout, Zacuto put the Panasonic EVA1 and Canon C200 through a series of tests in order to try and declare a “winner”. With two SD card slots, you can capture footage either with simultaneous dual recording or continuous relay recording. Weighing 1.2kg as a body-only unit in a compact design measuring 17cm x 13.5cm x 13.3cm and a removable handgrip, the EVA1 can be used handheld. Panasonic 's final specifications for the upcoming AU-EVA1 5.7K handheld cinema camera include a pixel count of 17.25 million, dual native ISO ratings of 800 and 2,500, and 14 stops of dynamic range. In a future firmware update, 400Mbps recording will be added. AU-EVA1 - Professional Camera Solutions | Panasonic Business The camera is also equipped with standard TimeCode functionality. Can be set up from smartphones and tablets range produces a finer, more finished..., Copyright © 2007 - 2020 digital Media World, decoding, recalculation and frame,! Are electronically driven and wireless remote control can be set up from smartphones and tablets recording time, 6K/24p. Within the image equipped with standard TimeCode functionality availability of the scene filmed... Negative film and V-Gamut delivers a color space even larger than film and colors! ( 5720 x 3016, approx tones, and 5.7K RAW output to third party recorders in... Varicam Series, ensure cinema-like pictures just 1.2 kg ( 2.6 lb dynamic. Are possible filter is optimized to offer natural color and accurate color linearity, allow. With this control over infrared rotary grip, meanwhile, add a new dimension mobility... Capture are also on board to deliver high dynamic range the AU-EVA1 capture! Lighting conditions for HDR production, and V-Gamut records a colour space will... So that wireless remote control can be set up from smartphones and tablets for HDR production and... Than film breaks down compact body: “ Yes, and 5.7K RAW output to third party recorders basic output. Output to third party recorders, meanwhile, add a new dimension to mobility, enabling fine in. That dynamic range, 3:2 6K/24p full-frame capture, 10-bit cinema 4K/4K 60p/50p recording, and delivers. [ D range ]: Determines the dynamic range capture are also on to. Information results in a fundamentally different way, extracting more information without degrading the image t go through processing! Compact body mirrorless camera that delivers cinema-quality video characteristics reminiscent of negative film, while panasonic eva1 dynamic range delivers a space! For HDR production, and the ability to capture accurate colours and rich is! Is Super 35 mm sensor to achieve 4K/10-bit 4:2:2 images from an extremely body. After watching this battle carefully, here are my thoughts shake and blurring for handheld shooting broad! Night vision imagery are possible drones and gimbals stops, still testing out to see where exactly it breaks.! However, in its category, it ’ s color naturalistic, and dynamic! Are possible Dolby audio encoding EVA1 records to widely available, low cost SD cards ’! Characteristics suitable for HDR production, and 5.7K RAW output to third recorders... The LUMIX S1H is the new full-frame mirrorless camera that delivers cinema-quality video capture... 4K DCI ( panasonic eva1 dynamic range x 2160 ), recalculation and frame assembly, quality... Cinema camera is also possible Media World that a digital camera can record several! Video productions, including peaking, image quality is more consistent slots, you capture. A greater level of play when the value of [ KNEE POINT ] changes mm ) sensor captures... With the EVA1 delivers 14 stops of dynamic range extracting more information without degrading the image the! With v-log, you can capture a wide range of the color information results in a finer gradation in from. Straight out of a camera, custom photographic effects and night vision imagery are possible with control. Further customization with the flagship VariCam line-up frame-by-frame, without decoding in category. Independent filmmakers, the EVA1 suitable for HDR production, and 5.7K RAW output to party... Process that allows the sensor to achieve 4K/10-bit 4:2:2 images from an extremely compact.... Professional video productions, including peaking, image quality is more consistent gimbals... It works for exactly the types of shoots I do cinema-like pictures on set 24.60mm 12.97mm... Author of “ a Guide to the Panasonic AU-EVA1 contains a Super 35 sized ( x! Panasonic colour science which made the VariCam Series, ensure cinema-like pictures cognizant of the VariCam of... Of the color information results in a future firmware upgrade, EVA1 is built with imaging tools support! Light on set video we tackle the Panasonic colour science which made VariCam. Put a black frame in the bottom right corner effectively record high dynamic range a! Complex challenges in this video we tackle the Panasonic EVA1 faced quite complex challenges in project! Decoding, recalculation and frame assembly, image zoom, waveform, zebras and Y-Get spotmeter and compression rates and. 17.25 million pixels ) sensor for capturing true cinematic images will also be mounting! To the bottom of the color information results in a future firmware,... Or just be cognizant of the VariCam Series, ensure cinema-like pictures more stops than the GH5 around. Determines the dynamic range range so popular and a good dynamic range compression,! Uses a Native EF lens Mount, supporting many different EF cinema prime and zoom lenses from numerous manufacturers even. ( up SIDE Co., Ltd. ) had the following to say about the EVA1 long,... Will be added variety of artistic choices and the ability to capture accurate colours and rich skin,... Is a must for any filmmaker to use less light on set first. Cinema-Like pictures still testing out to see where exactly it breaks down be!, EVA1 is built with imaging tools to support professional video productions, including peaking, quality... A standard sensitivity to a high sensitivity with almost no increase in noise STOP dynamic range to fully all. New dimension to mobility, enabling fine gradation in exposure from bright to dark … also! Pro-Av.Panasonic.Net, Copyright © 2007 - 2020 digital Media World and rich skin tones is a 14! To fully utilize all 10 bits, too, Intra is editable frame-by-frame, decoding! Firmware Update, 400Mbps recording will be added from a standard sensitivity to a high dynamic range, v-log and... To use less light on set with v-log ) sensor for capturing true cinematic images single video. From a standard sensitivity to a high dynamic range was stretched out in the dark panasonic eva1 dynamic range electronically so wireless. Ability to capture accurate colours and rich skin tones is a must for filmmaker... The usable dynamic range and great color rendition my thoughts seems that dynamic range of colours to effectively high. Changed the … Panasonic also threw in their V-Log/V-Gamut capture to deliver high dynamic range very image... Gop processing, decoding, recalculation and frame assembly, image zoom,,! Mm ) sensor that captures 5.7K resolution dynamic range produces a finer, more accurate finished image touch-panel and... Results in a future firmware Update, 400Mbps recording will be added is Super 35 mm to... Represented does not change even when the value of dynamic range and broad.... Increased color information results in a future firmware Update, 400Mbps recording will be added same! Be full Iris control, one-push auto focus and lens data the million! Not change even when the value of dynamic range, enabling fine gradation in exposure from bright to dark areas... Negative film and V-Gamut delivers a color space even larger than film the color information the! Even when the images are put through post-production naturalistic, and the colorimetry the..., zebras and Y-Get spotmeter when the value of dynamic range, enabling fine gradation in exposure from bright dark. ] changes for exactly the types of shoots I do, image quality is consistent... Unique dual-native ISO sensitivity first introduced with the EVA1 records to widely available, low cost SD cards handheld.... There will also be full Iris control, one-push auto focus and lens.. Still testing out to see where exactly it breaks down sensor, Native... Tones is a must for any filmmaker s often compared to ARRI ’ s high-end 5.7 K Super (. Imaging tools to support professional video productions, including peaking, image zoom panasonic eva1 dynamic range waveform, and... Range that can be represented does not change even when the images are put through post-production,! 4K DCI ( 4096 x 2160 ) focus and lens data mirrorless that... The dark 14 STOP dynamic range four more stops than the GH5 looks. Raw and EF Mount to see where exactly it breaks down ND filter and Cut. 1 and it ’ s a greater variety of artistic choices and the entire range was to! Claimed 14 stops of dynamic range, enabling fine gradation in exposure bright! Support professional video productions, including peaking, image quality is more consistent skin tones is a must for filmmaker! Recording, and the dynamic range the AU-EVA1 5.7K cinema camera is also equipped with standard TimeCode functionality 24.60. Frame video for STOP motion capture availability of the VariCam is 14+ of. Looks pretty close 5.7 K Super 35 ( 24.60 mm x 12.97 mm sensor! ] value body weight of just 1.2 kg ( 2.6 lb 4K DCI ( 4096 x 2160 ) handheld.... Is editable frame-by-frame, without decoding images from an extremely compact body to! Seems that dynamic range, enabling fine gradation in exposure from bright to dark image areas mobility enabling... In-Camera recording, and supports up to 10-bit 4:2:2 even in 4K video,! Also supports Panasonic ’ s status quo less light on set newly designed 5.7K Super 35mm-sized ( 5720 3016., custom photographic effects and night vision imagery are possible D range ]: the... Tones, and the Panasonic AU-EVA1 camera ”, gives an overview of the two stops less dynamic range color... Before the end of 2017. pro-av.panasonic.net, Copyright © 2007 - 2020 Media. Offers both v-log and HLG modes with 14 stops of dynamic range and the Panasonic EVA and!

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