As an example, the two matrices provided by the Yamaha MGP24X and MGP32X can be used to combine the main stereo L/R mix with signals sent to Groups 1, 2, 3 or 4. The mics built into most handheld stereo recorders can handle the high sound levels typical of a gig or rehearsal, but the microphones built into phones aren’t usually up to the task (no surprise, since they were designed to handle the low levels required by phone calls), so you may need to add an external mic or two to avoid distortion and capture a wider frequency range. A nice touch is that the swept mid band is also included on some of the stereo channels (29‑32), so only the two control strips for channels 25/26 and 27/28 have slightly reduced functionality, with a fixed middle band. Yamaha makes items that range from motorcycles to musical instruments. In this article we’ll cover live stereo recording; in Part 2, we’ll show you how to do live multitrack recordings. Yamaha practically invented the small digital mixer back in the late ‘90s, and now launching an exciting new line into the DMZ [demilitarized zone] between the analog and digital fronts. The MGP32X is equipped with two sets of large, clear, dual LED‑ladder meters which can operate in two modes: either as stereo output meter plus monitor bus (over‑ridden by any PFL/AFL selections), or as group bus output meters. For iPhone/iPad/iPod Touch users, there is also the MGP Editor app, which can be downloaded from the iTunes store. As the MGP32X is a 32:4:2-format desk, the signal can be sent to any or all of the four subgroups and also the main mix bus. The views expressed are those of the contributors and not necessarily those of the publishers. It is certainly smooth and even, and is exceptionally easy to use. As an example, the two matrices provided by the Yamaha MGP24X and MGP32X can be used to combine the main stereo L/R mix with signals sent to Groups 1, 2, 3 or 4. THIS AGREEMENT IS BETWEEN YOU (AS AN INDIVIDUAL OR LEGAL ENTITY) AND YAMAHA CORPORATION ("YAMAHA"). All rights reserved. Coming next month: Live multitrack recording. I like the inclusion of the RCA sockets because it just provides that extra bit of flexibility and saves the need to carry a pocketful of adaptors around to every gig. It would have been nice to have 100mm faders, but the 60mm ones here operate smoothly without any digging or sticking, and have a solid enough feel. (See our Tools of the Trade article about grouping for more information.) For example, there's a blend control, for sending one effect into the other, and the effect returns can be assigned to the group buses as well as the main stereo mix. But if you don’t assign Group 1 into the main L/R stereo mix (which keeps the group, and therefore the extra bass) out of the PA system, you can make the bass as loud as you want in the recording by altering the Group 1 level … without affecting the house mix. Info? The MGP-series mixers were introduced by Yamaha last year, and I have used both the 24‑ and 32‑channel versions on several occasions on the Yamaha and Sound On Sound live road tour. Oct 7, 2015 - Get the guaranteed lowest price on a new Yamaha MGP32X Audio Mixing Console | Dual FX and Compression with free shipping from YandasMusic.com This is accomplished by routing the main stereo L bus into matrix 1, and the main stereo R bus into matrix 2. ... please contact your Yamaha dealer. Tools of the Trade article about grouping. I'm tempted to say that it represents the best of both worlds, as all the familiar channel‑strip controls are there with no need to use the digital 'select and adjust' method, and practically all the expected master section DSP is there too. Copyright © 2016 Yamaha Corporation of America and Yamaha Corporation. The screen and controls in the master section provide access to the effects settings, as well as graphic‑EQ and ducker configuration. But once you have it sorted, you’ll have an easy way to make high-quality stereo recordings of your performances and rehearsals. The stereo image control is a handy tool for bringing the stereo width of a pre‑recorded track more in line with the venue, such as when audience members are spread out to the sides and may not hear a decent balance. In mixer terms, the MGP32X occupies a place between analogue and digital which could be the perfect answer to those seeking analogue‑style channel control with the convenience and power of digital processing. The MGP24/32X provides four groups, so you can do the same for other sounds that may not need to be as loud in the house mix — electric guitars, for example. There's a large and obvious channel on/off button for each channel: as with all Yamaha mixers, the convention is to switch the channel off if no output to any bus is required, which is in effect the same as muting it, so when this button is lit up the channel is live, and when it's not there is no output sent to any buses, including auxiliaries. D-PRE Mic Preamp: These studio-grade, discrete Class-A mic preamps employ an inverted Darlington circuit design that features multiple circuitry elements in a multi-layered configuration in order to deliver more power with lower impedance 1- Knob Compressors: These intelligent compressors add optimally set compression to a wide variety of input sources with the … In terms of playback options, the MGP32X also has a dedicated iPod/iPhone input connection, which can be routed for direct stereo playback or controlled via channel 31/32. Yamaha has provided an impressive range of lineups in professional audio since the release of the PM200 in 1972 - our first ever professional analog mixing console. All contents copyright © SOS Publications Group and/or its licensors, 1985-2020. If your mixer doesn’t have USB capabilities, you can create an analog board mix as long as it has an extra set of stereo outputs (that is, in addition to the main stereo outputs feeding your PA system); all you have to do is connect those outputs to the inputs of a handheld recorder or computer audio interface. Another problem with recordings made with handheld devices is that there’s no way to “remix” them, so the balance between the instruments and vocals heard in the room at the time of the performance is what you’ll get on the recording too. The USB recorder built into the MGP24/32X gives you a choice of recording either the output from the two matrices or the main L/R stereo mix. Pre/post switching is applied in pairs for auxes 1/2 and 3/4, and auxes 5/6 are always post‑fader. Yamaha has provided an impressive range of lineups in professional audio since the release of the PM200 in 1972 - our first ever professional analog mixing console. Any input up to channel 24 can act as the ducker's trigger source, which is used to dip the material coming via these stereo channels. It’s not actually as complicated as it sounds. Live recording can be as easy as using a smartphone or a handheld stereo recorder. Why does my mixer channel clip except when solo'd? If you assign the bass channel to Group 1, and route that group into matrices 1 and 2 along with the main L/R stereo mix (Left to matrix 1, Right to matrix 2), you’ll hear too much bass in the recording (though the mix the audience hears in the room will sound just fine). The Yamaha MGP24X mixer gives you analog warmth and simplicity along with sophisticated DSP functions, all in a compact metal chassis packed with slick Yamaha innovation. Q. All six sends have master controls and AFL monitor buttons over on the right in the master section, and the effects outputs can be applied to these buses. Then, by a simple process of setting a positive gain offset and sweeping through the frequency range, feedback hotspots can be picked out and then dealt with by simply reducing the offset gain at that point. Yamaha MGP32X. That’s one of the reasons why many board recordings feature overly loud vocals and anemic bass or guitars. The graphic EQ section is applied to the master L/R bus and offers a choice of either a straight 14‑band EQ, or a nine‑band selective EQ, which allows gain adjustment of nine selected bands within the whole range. Steve La Cerra is a drummer and an independent live sound / recording engineer based in the New York area. Your signal path starts with great-sounding D-PRE Class A mic preamps, sporting an inverted Darlington circuit design. ($129.00 - $4,999.00) Find great deals on the latest styles of Yamaha digital recording. This may work fine for the audience, but when you play back a recording taken directly from the mixer, there will be a lack of bass. An easy-to-use analog mixer with 24 Class A mic preamps, the MGP32X offers one-knob compression, Yamaha's X-Pressive EQ, two effects processors, and more. As transfer speed requirements are strict for recordings made in WAV format, normal recording may not be possible when using USB memory. A hugely flexible yet easy-to-use console that provides far more features than a typical analogue desk. Anyone using one yet? Page 42: Appendix USB device was slow. He is currently working on a book about live sound. All rights reserved. Not just for live bands and DJ's, the MG Series mixing consoles can easily adapt to a truly impressive range of applications from portable PA to fixed installation. Using an appropriate cable, this USB port can also be connected to an iPhone® or iPad® running the free Yamaha Rec’n’Share app. Standard WAV and MP3 files can be recorded and played, and the USB connection is compatible with external hard disks or pen drives, although it's always a good idea to check compatibility with your chosen device before the event. Great care has been taken to ensure accuracy in the preparation of this article but neither Sound On Sound Limited nor the publishers can be held responsible for its contents. 2 people found this helpful. Yamaha has provided an impressive range of lineups in professional audio since the release of the PM200 in 1972 - our first ever professional analog mixing console. Check out our other Tools of … Here you can control all the DSP functions using a bankThe screen and controls in the master section provide access to the effects settings, as well as graphic‑EQ and ducker configuration. of selector buttons and a pair of rotary encoders, and although you can only access one section at a time, it's an easy process and shouldn't cause any problems for users migrating from an all‑analogue setup — in effect it's just like adjusting various outboard processors, but instead of having them in an external rack, they're all under your fingertips in the display section. Accordingly, we recommend recording to a hard disk with a fast transfer speed or to an SSD (Solid State Drive). The MGP32X boasts two separate studio-grade effects processors: Yamaha's excellent REV-X reverb with three high-resolution 'verbs and the acclaimed SPX digital multi-effects processor, which gives you an eminently useable selection of 16 advanced digital effects. Yamaha MGP32X Mixer, 32-Channel. The main stereo bus is controlled by a single fader, and there's also a mono output which has an adjustable low‑pass filter for connection to a subwoofer, accessed via the DSP section. There are two compressors available ('normal' and three‑band), and they operate on the man stereo output bus. Channels 25 to 32 are stereo pairs (that's 28 input faders in all), and are equipped with pairs of balanced TRS jacks and unbalanced RCA phono inputs. Summary of Contents of user manual for Yamaha MGP32X Page 1 Owner’s Manual PRECAUTIONS pages 4 to 5 Setup pages 7 to 9 Troubleshooting pages 40 to 41 EN Page 2 … That's where you come in! The mono channels have a standard three‑band EQ with a swept mid section, and I know that the frequency control is smooth and even across the range, because I spent quite a long time during the Road Tour demonstrating the effect of the controls using a spectrum analyser display. There are three settings: 'stereo' does nothing and the input image is passed as‑is to the output buses; 'blend' narrows the width a little; and 'mono' creates a simple mono output by combining left and right input channels. For most of my live work I stick to simple reverbs and delays, and there are some very nice‑sounding treatments available here. Each channel fader is accompanied by several routing switches that dictate the destination of the channel output. 2 MGP32X/MGP24X Owner’s Manual The above warning is located on the rear of the unit. Sorry, but we seem to be having a problem. It may take some experimentation to determine which instruments should be routed to a matrix using a group, along with the appropriate level of those groups into the matrices. I've always liked Yamaha Rev‑X and SPX processors, and it's great to have them both built in to this desk, ready to deploy with no additional patching or having to reuse other return channels. Yamaha has provided an impressive range of lineups in professional audio since the release of the PM200 in 1972 - our first ever professional analog mixing console. Get a … Sixteen of the mono channels, starting at channel 9, are equipped with Yamaha's simple but highly effective 'one knob' compressor, and a single yellow rotary control and a single LED indicator are all you need to bring a fully automatic compressor into play on the these channels. The MGP32X can record the stereo or matrix buses directly to a USB memory stick, or use one as a playback source either into channels 29/30, or directly into the stereo bus. The stereo and mono outputs, and all six aux buses, have balanced XLR output connectors, and the group outputs appear as balanced TRS jacks. Win! The MGP32X provides six auxiliary bus feeds from every channel, and they can be configured as six external sends or as four external sends plus two internal effects sends. Because all the parameters are under automatic control, all that's needed is to dial in as much compression as is required — usually to the point where the LED flashes on the loudest signals only — and the job is done. For example, if the bass player’s stage amp is really loud, there may not be a need for a lot of bass in the PA. View online or download Yamaha MGP32X Owner's Manual The two rotary controls are used to set a frequency point and then apply a gain offset at that frequency. You may login with either your assigned username or your e-mail address. However, with such a simple rig, the quality of the audio will be highly dependent upon the room acoustics and the location and quality of the microphone(s) being used. You can also use a group to add audience microphones to the recording, while keeping them out of the PA system. Feb 6, 2018 - Yamaha MGP32X 32-Channel Mixer with USB Recording and FX As convenient as board mixes are, there are some disadvantages too. The best way of exploring an analogue mixer is to roughly follow the signal path from input to output, admiring the scenery as you go, so let's begin at the mono inputs. This offers user‑friendly editing access to many DSP settings within the MGP32X, which many will prefer to using the display section controls. By incorporating state-of-the-ar t digital technologies into the development process of our premium prof Once you submit your review, please check your email and verify your address to have it posted. Each channel has individually switched 48V phantom power and a 26dB attenuator pad, which increases the operating input range of the front end to cater for almost anything you'd reasonably expect to feed into it. A total of six sends (albeit only four potential pre‑fader ones) should be enough for most live applications, and the option to defeat the dedicated internal effects routing is an attractive feature — I suspect most users will find the on‑board effects more useful than the extra pair of external aux feeds, but the option is there if needed. Let the pro audio world hear your voice with a review of the Yamaha MGP32X. At live events I'm often asked if I can record a band's set, and I'm presented with all kinds of devices — but these are almost never accompanied by the necessary connecting leads, so the ability to simply capture the mix on a stick solves all that and leads to more happy customers. Some user presets are built in but you can (and almost certainly will) create and save your own, ready for use next time you're back to do that gig. An easy-to-use analog mixer with 24 Class A mic preamps, the MGP32X offers one-knob compression, Yamaha's X-Pressive EQ, two effects processors, and more. Yamaha MGP32X Mixing Console This 32 channel model of the MG Premium console has outstanding sound quality and DSP functions for live sound reinforcement and installation applications. Yamaha MGP24X and MGP32X mixers incorporate a USB Type A port that accepts a USB storage device such as a thumb drive, enabling you to record directly to (or play files back from) the storage device without the need for a computer. With their MGP Series of mixers, they’re bringing their high standards of quality to new applications of sound reinforcement. But how do you go about making a recording of a show or rehearsal that accurately represents what the musicians are playing? A matrix is kind of like a mixer inside a mixer. It allows you to internally combine different mix buses (a bus is an audio path that combines multiple signals) and send them to another destination. There's also a 100Hz low‑cut filter, which I tended to leave switched in on every channel except kick drum and bass. Yamaha MGP32X Pdf User Manuals. Complicating this is the fact that some instruments don’t need to be very loud in the PA system due to their stage volume. From the Muse: Good Morning, Good Morning. I prefer conventional mute buttons, but this arrangement works fine too. The bass was round and nice> I dont even figure out all this can do as yet I love it even the recording feature. The main and aux outputs are presented on XLR, with the mono, bus, monitor and matrix outputs being TRS jack sockets.which appear on back-panel connectors, so the MGP32X can operate as a 32‑into‑6 mixer if required. The best gear advice always comes from those who use it the most. The main and aux outputs are presented on XLR, with the mono, bus, monitor and matrix outputs being TRS jack sockets. The MGP32X 32-Channel Analog Mixing Console with DSP Effects from Yamaha is a 32-track analog mixer with digital control and features 24 D-Pre microphone preamps, 32 line inputs, 6 auxiliary sends, and 2 effects sends. As a result, these kinds of recordings can sometimes contain a lot of room ambience and background noise, which make it difficult to hear the music. We already have your request. Compare prices & save money on Mixers/Multi Track Recorders. Independent left and right channel editing is possible, but they can, of course, be linked. For my money, it's one of the most practical 'go anywhere' mixers I've come across, and for anyone tempted by digital bells and whistles but still wanting analogue‑style interaction, the MGP32X has got to be at the top of your things‑to‑try list. He is the front-of-house engineer and tour manager for Blue Öyster Cult and has worked with artists such as Joe Jackson, The Struts, Firehouse and Robert Fripp. Stereo playback and recording can be achieved by plugging a USB disk into the port on the top panel. Yamaha MGP32X Digital Mixing Console Overview: 32-Channel Premium Mixing Console When it comes to audio engineering and sound reinforcement, the verdict is in—nothing beats the warmth and musicality of analog sound. Steve teaches Music Technology at Mercy College in Dobbs Ferry, NY and has authored many articles on professional audio technology. What is a "hybrid" audio interface anyway? ... compressor with this level of functionality and control integrated into the mixer is an excellent Stereo playback and recording can be achieved by plugging a USB disk into the port on the top panel. 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